PDF Ebook , by Blake Snyder
PDF Ebook , by Blake Snyder
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, by Blake Snyder
PDF Ebook , by Blake Snyder
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Product details
File Size: 549 KB
Print Length: 215 pages
Publisher: Michael Wiese Productions (May 25, 2005)
Publication Date: May 25, 2005
Sold by: Amazon Digital Services LLC
Language: English
ISBN-10: 1932907009
ISBN-13: 978-1932907001
ASIN: B00340ESIS
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Amazon Best Sellers Rank:
#19,655 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I'm a film student, and taking my first screenwriting class. This wasn't a required text, but one of the recommended ones. I've reads parts of several different ones, and this is the one I feel is the most useful. He's not some academic with his head in the clouds. Very good advise that makes sense. Some very specific structures to use, and lots of useful anecdotes about "the biz". One of the things that I liked best was that everytime he talks about some theory about screenwriting, he immediately backs it up with scenes from recognizable movies.
I've read literally hundreds of writing guidebooks and this is the most practical I've ever seen. I've seen books that literally say, "Here's how to write a plot. Put your character in a tree, throw rocks at the character, have the character get back down." That's a nice analogy but how you're supposed to apply it to a romance or a science fiction story or a courtroom drama? Snyder gives real advice that writers can apply right away.This book is best known for its discussion of what is known as "beats." Snyder created a basic formula of elements that will fit almost every story out there to tell. He even breaks the beats down to what page number they should appear in the screenplay which has lent itself to a spreadsheet called the "beat sheet" that has become essential in modern Hollywood. The beats have also been applied to TV shows, novels and other forms of fiction. There's been a lot of the criticism of the beats as being formulaic, but it's really just a system that fits story arcs going back to ancient mythology. Almost any story is going to have a midpoint where there are highs or lows and "bad guys closing in."Beyond the beat sheet, there are also tips like writing young characters to reach the widest audience, using distraction to gloss over exposition, and not making the story too complicated. I thought Snyder's advice was very practical and could be applied right away, but is something I've never seen in print, so it's welcome.Yes, this book isn't for people who want to write metaphorical or metaphysical drama that explores the human condition. If you want to write a movie or novel that will sell to a small and limited audience, this isn't the book for you. If you want a book that will tell you how to write blockbuster stories for the biggest audience, I can't think of a better one.
Having just finished reading this book I've decided to make another pass, focusing mostly on my highlights and notes, with every confidence this book will remain on my reference shelf (or in my Kindle where it actually resides) for the rest of my professional life. Well written, interesting, and with many excellent points, it's a good, solid, interesting read.One can tell many reviewers, readers, wanna be screenwriters, and others are certain this book is off the mark and too formula to have value. These same folks need to spend more time actually watching and analyzing many of the films Hollywood puts out even today (2018). This book is right on the money. Sure, there are exceptions to the rules, but as Snyder - and any expert, trainer, pro, or individual with a track record and street cred will tell you, you must know the rules before you dare break them. Save the Cat is a prime example of this concept.I've heard of the book many times over the years, but until I decided to commit full time to my screenwriting I'd not taken the time to grab it and read. I'm sorry I wasted the time. Not only as an academic, non-fiction, and fiction writer, but as a media psychologist this book is a great read with some seriously solid insights. On the other hand, as a newer screenwriter it's a great help, and it lays a solid foundation for much of what Hollywood offers, has become, and will remain. Whether or not you agree with anything he writes, as any professional knows, you always read the books and experts who know the pathway.I highly recommend this book for anyone who is considering being a screenwriter - or writer - or loves film.
Everyone kept suggesting I check out this book and praising it. I hadn't really read any film books outside of school. (I graduated in 2014 with a BA in Television Production) And this book just crapped on most of my schooling. It changed so many approaches to writing for me and it's crazy how effect it is in such simple ways. And it'll save you loads of time. And it's written in a very informal way. More like a buddy who doesn't pull punches nor tries to convince you of his intelligence with ridiculously fluffed vernacular. It's simple. It's casual. It's straight to the point. And it's gonna save you loads of time, money, and growth errors. Buy this book.
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