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Ebook Free Math Lessons for a Living Education Level 1, by Angela O'Dell

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Math Lessons for a Living Education Level 1, by Angela O'Dell

Ebook Free Math Lessons for a Living Education Level 1, by Angela O'Dell

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About the Author

As a homeschooling mom and author, Angela O’Dell embraces many aspects of the Charlotte Mason method, yet knows that modern children need an education that fits the needs of this generation. Based upon her foundational belief in a living God for a living education, she has worked to bring a curriculum that will reach deep into the heart of home-educated children and their families. She has written over 20 books, including her history series. Angela's goal is to bring materials that teach and train hearts and minds to find the answers for our generation in the never changing truth of God and His Word.

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Product details

Paperback: 345 pages

Publisher: Master Books (April 7, 2016)

Language: English

ISBN-10: 0890519234

ISBN-13: 978-0890519233

Product Dimensions:

10.7 x 8.3 x 0.8 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

55 customer reviews

Amazon Best Sellers Rank:

#29,393 in Books (See Top 100 in Books)

LOVE this math book. My 5 year old daughter is homeschooled, and she asks to do math. Could you ask for anything more as a parent? Furthermore, it's not just a workbook, but is guided activity through stories about two siblings visiting their grandparent's farm. We're flying through this book, and I'm looking forward to getting the next one.

This is a wonderful book. My daughter is so engaged in it after having really struggled to get her to connect to any of the math materials we have tried so far. The negative reviews don't seem to understand the Charlotte Mason philosophy. If you are looking for a very challenging rigorous program this isn't for you. If you are looking for a math book in the Charlotte Mason homeschool philosophy, this is the best we have seen so far. Its perfect short lessons for the short attention span of a young child. And yes, many kids can count and write their numbers by age 5 or 6 but in CM style, this is focusing on copy work, practice and skill and confidence building. Your kid won't be doing algebra, but thats the point. Its developmentally appropriate for the CM style.

I bought this for my soon-to-be 6 year old daughter to use in kindergarten. While we are waiting until first grade for more formal studies, she really wants to do math. In an attempt to support her and not hold her back, I bought this workbook in addition to Simply Charlotte Mason's "Mathematics: An Instrument for Living Education" set and "Elementary Arithmetic Series 1". Until I watched and read the DVD and Book, I thought This workbook was very *Charlotte Mason-y*. Not so. In fact, it's very much twaddle. It's dumb-downed information and overly taxing and repetitive *busy work*.My little girl is teaching herself the foundations of basic multiplication and recognizing how to decode more complex patterns as well. She went for chomping at the bit with this workbook to being bored and disinterested before the first Exercise/Lesson 1 was completed. She has been begging since this arrived two months ago to do it and that enthusiasm just flew out the window this morning along with my money. The work in this workbook is comprised of mostly tracing and very basic patterns, loosely tied to the stories that revolve around twin siblings. With Simply Charlotte Mason's approach you take advantage of manipulatives (a variety of household items), mental math, drills, and skill building. Your student will learn the WHY behind the How. Which, in the long run, most children haven't a clue as to WHY they perform the tasks and equations in higher level maths. They get tactile exposure with everyday items, using money for most every lesson in one way or another- manipulative or mental math. Writing is not the foundation of the program unlike Math For a Living Education. MFLE will do *some* manipulative work, but it's lower in use; very much the opposite. With SCM, writing of all the tasks, is required the least. You, as the teacher, emphasis Quality, not Quantity. It's boring, tedious and overkill. At this age, K-2nd, many children still have a difficult time with the hand strength and mental concentration to do the amount of tracing and copy work that this book requires. If you are using Charlotte's methods in your home, this should concern you, be a red flag! We require our students to give us their best work the first time. Their best. Their quality, whether it's writing a single numeral or a full sentence, depending on age and skill level. As the parent, I was bored with the first exercise. So much so, that I told my child that she could either put the book away for another day or use pumpkin seeds to do the *counting* that the book required via drawing dots. She was bored, stiff! My little sunshine, who wants to be a scientist like her Daddy, who breathes reading and everyday math, just wanted to be done with the book. But Simply Charlotte Mason's math... She was engaged. She was encouraged. She used her fingers, manipulatives, mental math... she was challenged, she soared through the lesson, and was excited to continue on another day. It took 10-15 minutes to go from pg 20 to pg 35. And all with ZERO writing. This workbook? She closed it and decided her Play-Doh Math was more interesting for the day.Will we keep using it? Probably. That's up to her. Her father and I decided that SCM's books will be our math program of choice. This workbook will be a *fun book* as she is the type of kid that actually enjoys worksheets. BUT she is only to use it so long as it doesn't frustrate her or kill her joy for Math. The minute it becomes an issue, steals her zest, induces feelings of inadequacy- she is bothered by not making perfect numbers while tracing, then the book goes away for a period of time. If this happens repeatedly- in the recycling bin it goes! This workbook is a night and day difference compared to SCM's products. You will literally study the numbers 0-100 in both books, but that is where the similarities end. If this is anything like what is taught in public schools, and some reviews have said it's a stronger math than PS... then I am very concerned for our children as a collective whole. This isn't Charlotte Mason at all. A few stories splashed in between pages of *connect the dot- draw a line-trace the number* activities isn't CM. This isn't all that different, absolutely honest, from the Curious George Math and School workbooks you can get for $9 or less. Literally! It has stories and connects said story to the math and/or Math/Science/L.A (depending on which Curious George style workbook you purchase). Which btw my kids loved! The stories used are often an abridged version from one of the classic books and it does a better job at keeping your child's attention while retaining some fun-factor, if that is a concern for a parent. You need not spend this amount of money for a workbook and certainly not, if adhering to Charlotte Mason is high on your priority level.

So excited to start this with my girls! We've done the Charlotte Mason route and this really fits. Thanks to Hip Homeschooling for highlighting this curriculum!!!

I can't say enough about this math! My 4 yr old son has progressed from counting to 10 to counting to 100, skip counting by 10s, place values, and adding and subtracting smaller number! This has all been in a month.A couple of things that are a little frustrating are the repetitiveness. Now I believe it is a good thing and helps it stick. However, if my son has to write is numbers one more time I think I will lose him. There is copu work every day. I decided that as long as he reads me the numbers we wouldn't write them every day. Also, you dont have to go by any specific days. Sometimes we do a whole week in a day. Just depends on what we are doing. The individual days are really short and I dont feel like he learns enough by just doing that one day.I love the stories in the book. They are beautifully done and add in other "living" things into them. So it's not all about math but also about lifecycles, animals, flowers etc.I will be sticking with this curriculum for sure! It's made such a large difference in our lives and my sons learning!

We enjoy this book. My daughter, who is four, has had a fun time learning about animals on the farm as well as working on writing her numbers. It's really simple math to start, so even if your child isn't good with identifying numbers or counting to 10, this book could be used. If your child is like mine, it might start out a little too simple, but the story is cute, and it does incorporate science and some easy geometry, so even if counting and identifying numbers 1-9 isn't a challenge for your kid, there are other things that make it engaging.

We really love this math! We do a year ahead but that isn't necessary. It feels like this isn't teaching enough and then you realize that it's actually really fabulous! Comparing bullet for bullet, this math is right on track! The style of lesson and way of building the skills is fantastic and my boys have done amazingly well! It's really resonates with them and sticks! Love the charlotte mason style stories and short lessons! My 6 yr old has mastered everything in this level 1 book and can do almost everything in his head if needed! The place value village is an amazing approach to teach place value! The laid back and "use what you have at home for resources" approach is great!!! Real life makes it easy to retain and understand! My 4 yr old was working right along side his brother and picking up almost all of the concepts as well! So simple yet so complex! Highly recommend!

Math Lessons for a Living Education Level 1, by Angela O'Dell PDF
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Math Lessons for a Living Education Level 1, by Angela O'Dell PDF

Math Lessons for a Living Education Level 1, by Angela O'Dell PDF

Math Lessons for a Living Education Level 1, by Angela O'Dell PDF

Math Lessons for a Living Education Level 1, by Angela O'Dell PDF

Download PDF Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and his Revolutionary Comic Strip, by Nevin Martell

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Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and his Revolutionary Comic Strip, by Nevin Martell

Download PDF Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and his Revolutionary Comic Strip, by Nevin Martell

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Review

"Nevin Martell's book provides a rare glimpse of the riddle wrapped inthe mystery inside an enigma that is Bill Watterson and his brilliant work, which I now know wasalmost called 'Marvin and Hobbes.'"- Stephan Pastis, creator of Pearls Before Swine"Wattersoncanhide,buthecan'tdie.Hisworklivesonandwe'reluckytohave Nevin Martell reminding us so colorfully in this joyful book."- Berkeley Breathed"Martell gets as close as anybody can to Watterson in a book that takes the reader behind the strip, a well-researched portrait of the cartoonist that is both fascinating and revealing." -Currents (Barry Goodrich)"Martell gives us a tantalizing...glimpse of Bill Watterson in this journalistic exploration of the press-shy cartoonist's life. ...Readers who still hold Watterson's strip in their heart should enjoy the ride." -AM New York"[A] Don Quixote story that is humorous, well-written and (if I mayborrow that tired summer-reading platitude) a real page-turner." - The Strippers Guide (A website for comics)"[T]his really is a wonderful, warm, and informative book that managesto capture just the right amount of magic about the creator and hiscreation."—Comics Worth Reading "Martell, who wears his fan heart on his sleeve, travels far and wide to gather pieces of Watterson lore. He interviews former syndicate employees, comic strip artists from the past and present, and some of Watterson's closest confidants. By doing so, Martell walks a fine line between diligent journalist and obsessive fan. But his journey is a reminder that some things can't be recaptured, no matter how much we may wish otherwise." -The New York Times, "The Moment" blog"This story of Nevin Martell's search for the elusive Bill Watterson, the J.D. Salinger of the cartoon world, is so richly infused with the spirit of "Calvin and Hobbes," the genuine innocence and affection and humor, it doesn't even matter that the author never meets his subject. Watterson has never allowed the licensing of his work — no merchandise, no TV, no movies. After doing a few interviews in the 1980s, he wrote a "manifesto against celebrity": "People love to have you, and then they use you up and there's nothing left." Early on, Martell wrote Watterson, who disappeared from public life after he stopped writing the strip in 1995, but never heard back. Discouraged but determined, he researched Watterson's life, interviewed friends, editors, even Watterson's mother, visited Watterson's childhood home in Chagrin Falls, Ohio, talked with other cartoonists, studied the influence of Peanuts, Krazy Kat, Pogo and Winnie the Pooh and pondered the effect of "Calvin and Hobbes" on his own life. Is this a definitive biography? No. But it's in many ways better and truer to the spirit of Watterson's creation."-The Los Angeles Times Book Review"This is essential reading for die-hard Calvin and Hobbes fans who want to stalk Watterson. Martell will give you all the reasons why you will never find the man. So instead of attempting something both discourteous and criminal, read this book instead."-The San Francisco Book Review"Nevin Martell has written a curious book, although one would probably best consider it a biography. Bill Watterson so consistently shunned the media that one is put in mind of the Shakespeare biography industry in which a few facts are churned in an attempt to generate a larger picture of a life... In spite of Watterson's refusal to speak for himself, Martell has written an engaging and informative book while avoiding most of the traps that catch fan writers."-The International Journal of Comic Art

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About the Author

Nevin Martell is the author of Standing Small: A Celebration of 30 Years of the LEGO Minifigure, Dave Matthews Band: Music for the People and Beck: The Art of Mutation. He is a Contributing Editor at Filter magazine and his music journalism has appeared in Paste, Giant, Men's Health, High Times, and Flaunt, as well as online at RollingStone.com. Currently, he lives with his wife in Washington, DC, where he writes full time. You can find him online at www.nevinmartell.com.

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Product details

Paperback: 272 pages

Publisher: Continuum; Revised edition edition (August 19, 2010)

Language: English

ISBN-10: 1441106855

ISBN-13: 978-1441106858

Product Dimensions:

5.6 x 0.8 x 8.4 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

81 customer reviews

Amazon Best Sellers Rank:

#175,137 in Books (See Top 100 in Books)

This is what happens when you tell your publisher you're going to write a biography of notorious recluse Bill Watterson, including an interview with the famous artist and author, but you never actually get an interview with Watterson. There is nothing new here; some awkward and unnecessary interviews with people who knew Waterson in the distant past or maybe know someone who went to college with him or something like that. This narrative would have been far better suited as a long-form piece for a magazine or website; as a book, it's mostly filler.

There are problems with Nevin Martell's book, Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and His Revolutionary Comic Strip. While the title encourages the reader to think he or she will be reading the story of how Calvin and Hobbes came to be, what we get instead is one man's personal odyssey to score an interview with the elusive creator of the strip, Bill Watterson. It's true that we DO get to read the results of Martell's research (which include lots of tidbits regarding the aforementioned story), and it's often interesting. However, the book suffers from the plethora of personal asides about his wife, prior writing projects, and rock star interviews Martell had done.Another problem rises due to the fact that Bill Watterson owns "Calvin and Hobbes" lock, stock and barrel. As a result, there are no comics printed in the book. Instead, Martell resorts to taking page upon page to describe individual strips, from first panel to last. While I acknowledge that this wasn't the author's fault, it adds a level of tedium to some sections of the book.And yet another issue with the book comes in the writing itself. Martell primarily writes for magazines, and that's how this book reads: as a series of magazine articles on the same subject, rather than as a coherent whole. He repeats quotes from earlier parts of the book, summarizes earlier chapters in later ones, and so on. This would be fine if we were reading the book one chapter at a time over several weeks or months, but it doesn't work in book form. Also, his description is sometimes clumsy: "Everything was drenched in pure white, as if God had forgotten to shake the Earth as he would a snow globe." That's a long way to go for a simple image. In addition, Martell sometimes makes errors when discussing the comics themselves. When talking about Calvin's use of the cardboard box (one of the great conventions of the strip), he states that the Atomic Cerebral Enhance-O-Tron is one of the box's many uses. Well, the ACE was a colander that Calvin put on his head. A small error to be sure, but one that a fan will easily catch. Several more are scattered through the book.However, the book is worth reading. His interviews with Watterson associates are illuminating, and his chapter on how Calvin and Hobbes influenced other comic artists is a must. He rounds up a who's who of current and former comic artists and syndicate bigwigs for these chapters. No one can fault the man's legwork.Overall, I'm not sorry I read it. It was obviously a labor of love for Martell, and that comes through on every page. The problem is, that often comes through too strongly. It's interesting, but not essential to ones' appreciation for, or understanding of, the wonder that was Calvin and Hobbes. 3.5 stars.

You are warned that this book is not a traditional biography. Certainly there are a lot of biographical details about Bill Watterson, but a goodly portion of the book is the author's journey to obtain them. Generally, I enjoyed this book, but if I were his editor, I would have asked him to make some cuts. My advice is to take it with a grain of salt and skip around if you feel you need to.

This book did so much more for me than entertain me with stories of Watterson and Calvin & Hobbes. It made me inspect myself in some ways and has inspired me in others. What a good book and about such a thought provoking subject. Great job Nevin.

In the film industry there's a well known curse on the filming of Cervantes' novel Don Quixote. Cinematic giants such as Orson Welles and Terry Gilliam have attempted to capture this legend on cellulose. Though various musical, theatrical and made-for-television productions have appeared, none have yet succeeded in the realm of major motion pictures. Gilliam even released a documentary about his misery called "Lost in La Mancha" (he's apparently exhumed the "Man Who Killed Don Quixote" project, set for 2011 release). Nevin Martell's short book "Looking for Calvin and Hobbes" provides a biographical equivalent to the motion picture Man From La Mancha (though in this case the "curse" orginates from the subject). The book could probably carry the title "Lost in Chagrin Falls." Unfortunately, despite the book's actual title, Calvin, Hobbes and their elusive creator, Ohioan Bill Watterson, still remain at large. In fact, this three-parts authorial memoir, one-part biography may even add to the Watterson mystique. The obstinately elusive cartoonist dodges the author at every step. But this just validates the law of induction, for he has turned down just about every interview ever sent his way. Given the glut of evidence concerning Watterson's attitude towards publicity, this project was Quixotic from its very conception.Drooling, blathering fans of "Calvin and Hobbes" probably know everything relevant contained in this book. Nonetheless, those who love the strip but know next to nothing about its creation or its creator will learn quite a bit. Unfortunately, even readers in that demographic will have to wade through pages of memoir that may or may not prove interesting. And this book is more of a memoir than a biography, which the main title states pretty clearly, though the subtitle belies with the words "the unconventional story of Bill Watterson." In the sometimes meandering,largely first person narrative, only fragments of Watterson's story appear. A few of Watterson's interviews and essays get quoted nearly in entirety. These quoted passages stick out neon-like as highlights. The surrounding intrusive narrative doesn't really add much to them. Along the way, readers learn far more personal information about the author than about Watterson. Though some anecdotes, such as Watterson's famous quote "why would I want to talk to Steven Spielberg?" and his berating speech at the 1989 Festival of Cartoon Art prove rewarding even if some experience them as reruns. The author does seek out numerous people who knew or worked with Watterson. He demonstrates admirable persistence here. Unfortunately, these episodes typically relate no more than good memories or reminiscences from many people who no longer know the cartoonist. Raving fans may soak up every word, though they may not learn much new. Others may find them uninspiring along with the author's ruminations about his comic collections and memories. Most unfortunate is what the author refers to as "the finale." Yes, a member of the Watterson family does finally come forward, but the encounter, rare as it is, reveals as much as the other encounters. The family respects the cartoonist's privacy. And the cartoonist himself seems extremely uninterested in further talk about "Calvin and Hobbes." Further, he seems to subscribe to the Sartrean notion of genius, namely, that genius resides in creative works rather than in the people that create them.Though Martell does not find Calvin, Hobbes, or Watterson, "Looking for Calvin and Hobbes" nonetheless provides a good overview for the uninitiated. Those interested in Watterson's pre-"Calvin and Hobbes" work will find adequate information here, but unfortunately only in narrative form. The book sadly contains no pictures. Doubtless anyone who reads this book will learn something from it, though the sections that read more like memoir could have withstood extensive reduction. One thing remains certain, this is no "Schulz and Peanuts," the massive 2007 Charles Schulz biography that Watterson actually reviewed for The Wall Street Journal. This reads more like a memoir of an attempt to write a book as in-depth as David Michaelis' magnum opus. But to be fair, Schulz frolicked in the limelight relative to Watterson's hermetically sealed public attitude. In the end, Martell asks the question many fans have likely asked: will Bill Watterson appear again? Will he change his vow of silence towards his cartoon masterpiece? Though he supposedly now paints (though some in the book say he's not too satisfied with the results yet) many forsee the artist's potential "second coming" in this medium. Maybe. Maybe not. If he does come out again and speak openly, this book will instantly become obsolete except as a documentary of the thick shell the cartoonist maintained in "retirement." And this begs one big, nagging question that undergirds the book. Obviously Watterson doesn't want attention. This book hammers that point in like a suspension bridge rivet. Obviously the time isn't ripe for a resurgence. So why, given the evidence available, even prior to this book's publication, was this project undertaken? Skipping the obvious answer, Martell and the publishers sort of got what they deserved. If anything, this book should stand as a warning to those who want to seek out Watterson. He will only appear when he's ready and he will appear on his terms. And if he doesn't, then his amazing strip remains. And isn't that enough? Those who voraciously covet a Hobbes doll may protest. But Watterson doesn't owe us anything. He's living his life the way he wants and maybe we should just leave him alone until he's good and ready.

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Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and his Revolutionary Comic Strip, by Nevin Martell PDF